Sri Vishwakarma Karakushala Shilpakala Shale
Lakshminarayana Acharya is a well-built tall personality, always clad in white. Work is worship is his belief and he is into this sculpting, since he was 10 years of age and that has evolved to its epitome in chariot making. A polite Acharya is friendly with all who visit his Vishwakarma Karakushala Shilpakalashale and he introduces his family, friends and disciples to his guests and takes them around the workshop. [Read More. . .]
Creating Chariot
More and more study of the chariot was built and learned about the chariot of different temples. Studying from the book “Grahavasthu Darpana”. . . .
Add Gear To Chariot
Previously he used the helm to rotate the situation when pulling the chariot. It was traumatic. Hence the invention of the chariot stereotype. . .
Old Chariot Renovation
The chariot repair work of the five hundred six hundred years has been very draconian. Stereching will be installed if necessary in such . . .
About Chariot
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Writing the history of chariot sculpting is a huge task and it ranges from maestros to anonymous sculptures. Though the sculptor’s role ends with the sculpting of a chariot, he gets recognized through that chariot. Mastering Arsha, Agama, and Vasthu shastras to represent the sculptor God Vishwakarma in itself is a great achievement. This creative strength being utilized for spiritual means is a commendable service to the almighty and humanity.
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Chariot sculptors are descendants of Vishwakarma, the divine sculptor. Chariot making is their religion; carpentry is worship to them. [ Read More . . . ]